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Phoenix
A child of the culture industry, Christopher Michael Sullivan deconstructs the image-making process to render transparent the role of artist as agent of the image and the image as dependent on its systems of meaning and dissemination. With “00008.9001:Flag, 2007,” CMS applies the hexadecimal code used in digital imaging onto Old Glory such that the white and red stripes are composed of repeating units of “FFFFFF” and “BF0A30.” The viewer desperately wants to stand back and watch the stars appear from the code imprinted on the blue background, but is confronted with the sublime letdown of a blur, leaving only the awareness of a semiotic system, Roland Barthes’s classic example of the French Flag of colonialism propelled into a hyperreal American digital realm.
Paige, Ian. "Questioning The Real." The Portland Phoenix. 18 May 2007, p.18
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Phoenix

By definition you can't purchase a piece of performance art. But now the fruits of a performance piece are available from artist Christopher Sullivan and Derek Lobley through Whitney Art Works in Portland. Sullivan says, 'We were playing with the idea of metaphorically killing off an artist to raise the price of the work.' So, Sullivan and Lobley shot a Bushmaster .223 at self-portraits with results for sale on a sliding scale, "from $4 for a miss to $12,455 for a bull's-eye," he says. Take aim on your next gallery purchase.

Chowder "Target Audience." Portland Magazine. February/ March 2008, Vol.23 No.1, p.28
 
 
Phoenix

For the past couple of decades or so quite a number of artists have been trying to push the limits of decency in art. It’s good business. Remember the piss Christ, the elephant-dung virgin, Mapplethorp’s special nasties? Feces and bodily functions have been a staple of reputation-building.

All that derives from the artistic career model that grew out of the avant-garde offending the sensibilities of the bourgeoisie, as happened in Paris in the late 19the century when Impressionism and its antecedents descendants outraged the art public. They took those things seriously in those days; columns were written and fights broke out in the galleries. Later on the Dadaists and Surrealists self-consciously set out to offend. The bodily orifices, organs and dead animals of recent years are born of the same idea: if you offend them, it must be good, and should make money.

Now comes Portland artist with an action that represents a new low in moral depravity. He is actually (can you believe this?) going to make an art piece from telemarketing. Is there no end to how low an artist will go? Christopher Michael Sullivan is going to make an art event out of cold-calling to sell art. This could get ugly, folks.

Greenleaf, Ken. "On Going Too Far for Art." About Town: The Portland Phoenix Blog. 18 July 2008
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